My practice centers on themes of migration, cultural identity, and the fluidity of home. As a Ghanaian artist living in the diaspora, I explore the emotional and physical transitions that shape identity, using materials as vessels for memory, history, and hybridity.

Clay lies at the heart of my work—an elemental material rooted in the earth and my heritage. Through adapted Ghanaian coil techniques and mixed-media assemblage, I combine clay with batik fabrics, yarn, and found objects to evoke the complexities of displacement and belonging.

Informed by postcolonial theory, material culture, and global migration discourse, my work examines how personal and historical narratives converge within material form. By bridging tradition and innovation, I invite viewers to reflect on the evolving nature of identity and home, and to consider how materiality can embody the resilience and transformation of diasporic experience.